Objective comprehension, to subjective deferential-
if it's not experiential, then it's not experimental-
lets tendentious apparitions and interpretative convictions
push the spectators' perspectives (all unique yet simultaneous)
inside the croquembouche and at the same time in themselves again.
Collectively experienced, projectively delirious!
Oversight-ed, blinded by the very eyes inside of them.
Readily interpreting the sensory-consistently restricted information
that a brain attached to optic nerves and eyeballs can receive,
an opaque preoccupation with self-knowledge intervenes.
As if behind a mirrored glass, the croquembouche is hardly seen.
As if the method of perception is the outcome, not the means.
The personal identity is mediated to a pulp and broadcast to the moon.
The empty space of croquembouches ricochets trajectories of consciousness across the room.
In this way are the identified consumed.