Objective comprehension, to subjective deferential-

if it's not experiential, then it's not experimental-

 lets tendentious apparitions and interpretative convictions  

push the spectators' perspectives (all unique yet simultaneous)

inside the croquembouche and at the same time in themselves again.

Collectively experienced, projectively delirious!

Oversight-ed, blinded by the very eyes inside of them.

Readily interpreting the sensory-consistently restricted information

that a brain attached to optic nerves and eyeballs can receive,

an opaque preoccupation with self-knowledge intervenes.

As if behind a mirrored glass, the croquembouche is hardly seen.

As if the method of perception is the outcome, not the means.

The personal identity is mediated to a pulp and broadcast to the moon.

The empty space of croquembouches ricochets trajectories of consciousness across the room.

In this way are the identified consumed.